A View to a Kill (Special Edition)

A View to a Kill (Special Edition)

A View to a Kill (Special Edition)
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DVD Cover Information

Actor: Christopher Walken, Grace Jones, Patrick Macnee, Roger Moore, Tanya Roberts
DVD: Region Code 1
Audio: English (Unknown), Dolby Digital 2.0 Stereo; Spanish (Subtitled); French (Subtitled); English (Original Language), Dolby Digital 2.0 Stereo; Spanish (Original Language), Dolby Digital 2.0 Stereo
Format: Anamorphic, Closed-captioned, Color, DVD, NTSC, Widescreen
Picture Format: 2.35:1
Running Time: 131 minutes
DVD Release Date: 2000-10-17
Audience Rating: PG (Parental Guidance Suggested)
Studio: MGM (Video & DVD)

Movie Reviews of A View to a Kill (Special Edition)

Movie Review: The LAST Roger Moore James Bond Movie
Summary: 5 Stars

"A View To A Kill" is based on "Goldfinger" and John Gardner's "Role of Honor" this is one of Roger Moore's better James Bond movies. It is a big improvement over director Guy Hamilton's "Goldfinger" which tried to be humorous, but was not very successful in that department. Hamilton did finally succeed with his excellent "Man with the Golden Gun." It was a mixture of action and humor at its best.

"A View To A Kill" is the most luxurious looking Bond movie. Zorin's magnificent palace and stables are the type of boost that "Goldfinger" needed. Zorin, after Scaramanga, has got to be one of the best villains of the series. He's a real psycho. May Day, after Nick Nack, is the best henchman. She gives a real twisted 80's performance.

The opening pre-title sequence is one of the best. Bond is being chased down an ice-covered slope by Russian troops in Siberia to an exciting John Barry score highlighted by the Beach Boys' "California Girls" while he escapes on a ski mobile runner turned ski board. This is an excellent scene full of action and laughs. The Beach Boys' "California Girls" was a stroke of genius. John Barry really knows how to score a Bond movie! The getaway in a mini sub disguised as an iceberg was another stroke of genius. I was on the edge of my seat. Those were better ski scenes than those filmed in "The Spy Who Loved Me" and "The World Is Not Enough." They were close, but not quite as good as those in "On Her Majesty's Secret Service" or "The Living Daylights."

Duran Duran's opening main theme is the best of the series. It was even better than Lulu's "Man with the Golden Gun." Maurice Binder's main titles were his best since "Man with the Golden Gun."

This film is just so great. Roger Moore looks younger in this one. I never saw him move better. I think these are the most stunts that he ever did in any Bond movie. The fight scene in Zorin's warehouse was one of his best. I like the way he lays out the guard on the conveyor belt and gets automatically wrapped like a corrugated carton. That was very cool.

The steeplechase scene was also great and real suspenseful. I didn't know that Roger could ride a horse like that. When he breaks away into the woods that was really well filmed just like the similar scene in "Moonraker." Very cool, that's all I can say.

The Eiffel Tower scene where Bond is chasing May Day through Paris in a stolen taxi, is one of the greatest scenes in the series. It was so funny. When Bond's taxi gets cut in half I thought he was done for. However, he keeps up with her and manages to crash a wedding on a moving barge. Crazy stuff! This kind of thing is what made the 80s so great!

Q had some of his best scenes in this film. The microchip briefing in M's office was good and reminiscent of "Moonraker" and "Octopussy." I liked Q's surveillance machine. That was very innovative. It was also good to see Bond, Moneypenny and M all at the races. General Gogol had some good scenes too. I like when he puts the cassette in the player in his car and it starts playing the Japanese Spa music. That was really funny.

The underwater scenes in this film were excellently filmed. I was holding my breath when Bond taps the tire of the sunken Rolls for air. That was very innovative. Zorin's San Francisco pumping station was also done well. When Bond was underwater I thought for sure he was going to get sucked in by those propeller blades. That was filmed as good as any underwater scene from "Thunderball," "For Your Eyes Only." "Licence To Kill" or "Tomorrow Never Dies."

The sets in this movie were great. The interior of Zorin's airship was very reminiscent of "Goldfinger" and "Diamonds Are Forever." Zorin's mine was one of the best sets from the entire series. Caves are cool, just like in "Live and Let Die" and "Dr. No." Just like SPECTRE, Zorin eliminates undesirables just like they were terminated similarly in "From Russia With Love" and "You Only Live Twice."

I liked the way they got the Russians involved in the plot. You can't have a good Bond movie without them. Not to worry, they show up again in "The Living Daylights" and "GoldenEye."

Stacey was the best Bond girl since Mary Goodnight. You really feel for her. I almost thought Bond was going to leave her in the elevator shaft the way she was screaming. Bond saves her just in time. She was also great in the fire engine chase and the ultimate battle between Bond and Zorin on top of the Golden Gate Bridge.

This film has it all: action, suspense, humor, laughs, terror, set designs, great underwater scenes and car chases. The only thing it lacked was exotic locales. That is what gives "Man with the Golden Gun" and "Octopussy" one up on "A View To A Kill."

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