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Movie Reviews of A Force of OneMovie Review: A Force of One Summary: 5 Stars
Brillant Movie. I loved watching Bill Wallace Fight Chuck Norris I saw this movie many years ago and still love the film. This is not like other Hollywood Martial Arts Movies full of crappy stunts. The Action is brillant.
Movie Review: Received order on time as expected. Summary: 5 Stars
No issues. I saw this movie as a kid and wanted an archive copy. Decent movie for the time period.
Movie Review: Norris is excellent in this movie! Summary: 5 Stars
This is one of the few movies in which Norris does a good job of acting.
Movie Review: "Whoever did this is as good as dead..." Summary: 3 Stars
`He hears the silence. He sees the darkness. He's the only one who can stop the killing.' That's the tagline for the drama action thriller A Force of One (1979), starring Chuck Norris. I have no idea what it means to `hear the silence', or `see the darkness', but I suppose it has something to do with being a karate man (martial artists in the late 70's apparently had yet to earn the distinction of being known as `martial artists', often referred to as `karate men', as illustrated within this film) ...or maybe some promotional person just thought it sounded cool. While this wasn't Chuck Norris' first starring feature (most accept 1979's Good Guys Wear Black to have that distinction), it was the first, decent film he starred in, and, along with his ever growing fan base, helped turn this 6-time World Karate champion an internationally known film star. Based on a story by Ernest Tidyman (Shaft, The French Connection), A Force of one was directed by Paul Aaron, whose previous credits at the time included A Different Story (1978) and the made for television version of The Miracle Worker (1979), starring Patty Duke. The film stars Chuck Norris (Lone Wolf McQuade, Missing in Action 2: The Beginning) and the always-lovely Jennifer O'Neill (Summer of '42, Scanners) with one of the most unattractive, butch haircuts I've ever seen on a female. Also appearing is Clu Gulager (The Last Picture Show), Ron O'Neal (Superfly, Red Dawn), and martial artist Bill `Superfoot' Wallace in his silver screen debut.
The film takes place in a relatively small California community, which is being overrun by the drug trade. As the film begins, we witness the death of two undercover detectives at the lethal hands of a mysterious, masked karate man. The detectives were investigating a lead, and met their fate while searching a local business (without a search warrant, I might add...which happens a number of times throughout the film, leading me to believe California has some of the most lax search and seizure laws in the nation). Anyway, the police are baffled by the deaths of two of their own, and soon come to the conclusion it must have been a karate man. This prompts them to seek out local karate expert and trainer Matt Logan (Norris) not only for possible leads, but also for training. Logan's hesitant to get involved, as he's busy training to defend his karate man title, but his conscience compels him, and he ends up helping out (which is good because everyone knows if you want to beat a karate man, you need a karate man). This ends up leading to one of the more cliché plot devices in films, where the bad guys harm one of Logan's kin, so now it's personal, forcing Logan to issue the declaration I used for the title of my review.
This wasn't a bad little independent action flick, certainly formulaic, aided marginally by some decent performances by O'Neill (the scene where she reacts to the deaths of a couple of colleagues was pretty strong) and even Norris himself (whom, incidentally got his training as an actor from Jonathan Harris, better known as Dr. Smith, from TV's Lost in Space). Director Paul Aaron seemed like an odd choice, given his non-action film work, but he did reasonably well on all counts. The supporting cast did well, but their characters weren't given a whole lot to work with, and it shows. This is especially true of Gulager's character of Chief Dunne, who seemed to know very little about what his detectives were investigating, and so when they turned up dead, there were virtually no leads to follow...great job keeping track of your people...I guess keeping you informed, reporting in, calling for back up and such, wasn't a priority (neither was the appropriation of search warrants, but I already mentioned that). I really liked the scenes where Norris' character is training the detectives in karate, as they provided a nice bit of levity in an otherwise a serious film. I also enjoyed the interaction between Norris' character and that of his adopted son as it felt natural, despite the character of the son turning into an obvious plot device later in the film (he was also in danger of becoming a comic relief character, but thankfully it never crossed that threshold). The real treat here is the fight scenes, choreographed by Norris himself and his younger brother Aaron. There's a feel of realism that's sometimes lacking in other action films. Director Aaron made a wise choice avoiding a lot of quick cuts and close-ups during these scenes, rather letting the scenes play out in lengthy wide shots. And is it me, or does the head bad guy Melrose, played by actor Clint Ritchie, look a heck of a lot like Gil Gerard, from TV's Buck Rogers in the 25th Century? And Melrose...if you're going to commit a crime, don't wear a t-shirt emblazoned with the logo of the store you work at while doing it (yeah, I know, he was wearing a blazer over it, but it was still visible)...
The film on this DVD is presented in full screen, and the picture is sharp and clear. I would have preferred the inclusion of a wide screen version, but what are you gonna do? The audio came through clearly, and gives the option of 5.1 Dolby Digital, along with 2.0 Mono in English, Spanish, or French. Special features include two featurettes titled `The Making of A Force of One' (16 min), and `How American Cinema Changed Hollywood Forever' (28 min) which details the rise and fall of American Cinema Group (the independent production company that originally released this film), and how their unique, innovative ideas and methods for making and marketing films eventually got co-opted by the larger studios, along with the company itself. Also included are cast and crew bios, along with a trailer and television commercial for the film.
Cookieman108
Movie Review: "Say, man, it's your world, you know what I mean?" Summary: 3 Stars
It's Christmas time and drug trafficking is booming in sunny Santa Monica, California, and things come to a boil when undercover narcotics agents get their windpipes caved in during an investigation. SMPD's prevailing thought is that an expert at hand-to-hand combat must've done the killings, and so feelers are sent out to karate champion and instructor Matt Logan to see if he could teach karate to the narcotics squad as a protective measure. Matt is too busy training for a title bout, except that we all know he'll come around, especially when sexy narcotics cop Jennifer O'Neill comes knocking. Still, even with Matt Logan on board, the police force body count keeps mounting, thanks to the karate killer. And with all the top belts in town for Logan's upcoming match, there is simply no dearth of suspects.
How do you solve the problem of a stiff lead actor? One way is to blanket him with a diverting supporting cast. That's how they rolled with Steven Seagal in his heyday. For Chuck Norris, the best example of putting interesting character actors around him is probably CODE OF SILENCE, but 1979's A FORCE OF ONE is a good one, also. Clu Gulager, Ron O'Neal (SUPER FLY), and Jennifer O'Neill lend grit and color to the bits of police drama. On the martial arts side of things Chuck's brother Aaron helps with the fight choreography and has a small part as an instructor in Matt Logan's karate school. There's that one really nice scene in which Chuck and Aaron instruct the cops in disarming an armed opponent. The cops come in sort of dismissive but they're soon getting thuddingly thrown around all over the place, to the extent that one jive cop finally declares to Chuck: "Say, man, it's your world, you know what I mean?" And, yes, mister, it is Chuck Norris's world.
Also, Bill "Superfoot" Wallace comes in as Chuck's foil, and maybe it's a good bit of trivia that Wallace at the time was the real-life reigning middleweight karate champ. It's cheesy but also kind of neat that, in the final action set piece, "Superfoot" and Chuck engage in an officially sanctioned bout in the ring but then end up in a fight to the finish out in the streets. And while Chuck never took the world by storm with his delivery of a line, he looks very comfortable and natural in his scenes with Eric Laneuville, who plays Chuck's foster son. You really feel that Chuck means the hell out of it when he later vows grimly: "Whoever did this... is as good as dead." When he said that, I couldn't help but go, "Oooh, someone's gonna a smackdown beatdown." In Chuck's classic moments of badassery, this is almost on par with his reaction to Bruce Lee's ripping out tufts of his chest hair in THE WAY OF THE DRAGON.
I'm actually surprised that this DVD comes with bonus material (from 2003): The "Making Of" documentary which offers interviews with cast & crew sans Chuck Norris (00:15:27 minutes long); "How American Cinema Changed Hollywood Forever" - a piece on the rise and fall of the American Cinema Group, an independent film distribution company which revolutionized how a film is marketed and which produced A FORCE OF ONE (00:27:56); brief cast & crew biographies; the theatrical trailer and a TV commercial promoting A FORCE OF ONE. That this is in full screen format, instead of in wide screen, brings my DVD rating down a notch.
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