A Clockwork Orange (Two-Disc Special Edition)

A Clockwork Orange (Two-Disc Special Edition)
by Stanley Kubrick

A Clockwork Orange (Two-Disc Special Edition)
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DVD Cover Information

Actor: John Clive, Malcolm McDowell, Michael Bates, Patrick Magee, Warren Clarke
Director: Stanley Kubrick
Brand: Warner Brothers
DVD: Region Code 1
Audio: English (Original Language); English (Subtitled); French (Subtitled); Spanish (Subtitled); French (Dubbed)
Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD-Video, NTSC, Original recording remastered, Special Edition, Subtitled, Widescreen
Picture Format: 1.78:1
Running Time: 136 minutes
DVD Release Date: 2007-10-23
Audience Rating: R (Restricted)
Studio: Warner Home Video

Movie Reviews of A Clockwork Orange (Two-Disc Special Edition)

Movie Review: One Twisted Work
Summary: 5 Stars

This movie definintely requires a specific mood to watch, but well worth it. If you're not in the right mood it can put you to sleep, but if you actually enjoy watching a movie for the dialogue and the psychological aspects, then enjoy.

Summary of A Clockwork Orange (Two-Disc Special Edition)

A jolting tale of crime and punishment stars Malcolm McDowell as a young neo-punk who becomes the guinea pig for a state-sanctioned cure of his tendency toward ?the old ultraviolence.Running Time: 136 min. Genre: DRAMA UPC: 012569806726 Manufacturer No: 80672
Stanley Kubrick's striking visual interpretation of Anthony Burgess's famous novel is a masterpiece. Malcolm McDowell delivers a clever, tongue-in-cheek performance as Alex, the leader of a quartet of droogs, a vicious group of young hoodlums who spend their nights stealing cars, fighting rival gangs, breaking into people's homes, and raping women. While other directors would simply exploit the violent elements of such a film without subtext, Kubrick maintains Burgess's dark, satirical social commentary. We watch Alex transform from a free-roaming miscreant into a convict used in a government experiment that attempts to reform criminals through an unorthodox new medical treatment. The catch, of course, is that this therapy may be nothing better than a quick cure-all for a society plagued by rampant crime. A Clockwork Orange works on many levels--visual, social, political, and sexual--and is one of the few films that hold up under repeated viewings. Kubrick not only presents colorfully arresting images, he also stylizes the film by utilizing classical music (and Wendy Carlos's electronic classical work) to underscore the violent scenes, which even today are disturbing in their display of sheer nihilism. Ironically, many fans of the film have missed that point, sadly being entertained by its brutality rather than being repulsed by it. --Bryan Reesman
Stanley Kubrick's striking visual interpretation of Anthony Burgess's famous novel is a masterpiece. Malcolm McDowell delivers a clever, tongue-in-cheek performance as Alex, the leader of a quartet of droogs, a vicious group of young hoodlums who spend their nights stealing cars, fighting rival gangs, breaking into people's homes, and raping women. While other directors would simply exploit the violent elements of such a film without subtext, Kubrick maintains Burgess's dark, satirical social commentary. We watch Alex transform from a free-roaming miscreant into a convict used in a government experiment that attempts to reform criminals through an unorthodox new medical treatment. The catch, of course, is that this therapy may be nothing better than a quick cure-all for a society plagued by rampant crime. A Clockwork Orange works on many levels--visual, social, political, and sexual--and is one of the few films that hold up under repeated viewings. Kubrick not only presents colorfully arresting images, he also stylizes the film by utilizing classical music (and Wendy Carlos's electronic classical work) to underscore the violent scenes, which even today are disturbing in their display of sheer nihilism. Ironically, many fans of the film have missed that point, sadly being entertained by its brutality rather than being repulsed by it. --Bryan Reesman

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