3:10 to Yuma (Full Screen Edition)
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DVD Cover Information Actor: Ben Foster, Christian Bale, Peter Fonda, Russell Crowe Brand: LION'S GATE ENTERTAINMENT DVD: Region Code 1 Audio: English (Original Language); English (Subtitled); Spanish (Subtitled) Format: Closed-captioned, Color, Digital Sound, Dolby, NTSC Picture Format: 1.33:1 Running Time: 122 minutes DVD Release Date: 2008-01-08 Audience Rating: R (Restricted) Studio: Lions Gate |
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Movie Reviews of 3:10 to Yuma (Full Screen Edition)
Movie Review: I've Got a Train to Catch
Summary: 5 Stars
The Western: a classic and simple genre, famous for its portrayals of lawless towns, armed bandits, shootouts, saloons, and whisky drinking. "3:10 to Yuma" is a film that makes use of them all, and I expected nothing less. What I did not expect was a story of amazing depth and complexity; this remake of Delmer Daves' 1957 film--which itself was based on Elmore Leonard's short story--is a triumph of plot and character development, telling a story that's just as meaningful as it is brutal. It begs the question: Is there truly a clear distinction between good and evil? This film refuses to answer that question, making for one of the most compelling films of the year.
One of the main characters is Ben Wade (Russell Crowe), an Arizona outlaw with a deplorable record of robbery and murder to his name. He seems to feel no remorse over his actions; indeed, he is an unlikable character, having little if any regard for other people and what he puts them through. But at the same time, he's engaging and oddly magnetic, with an air of mystery that's undeniably fascinating. Watching him, one gets the sense that he knows what someone else is thinking, which is both interesting and disturbing. He leads a band of murderers and thieves across the Western desert, a ruthless band that remains loyal for no apparent reason. Judging by the behavior of Wade's right hand man--Charlie Prince (Ben Foster)--one gets the sense that a little hero worship is at work.
The other main character is Dan Evans (Christian Bale), a one-legged farmer currently in a financial crisis. A greedy, arrogant landlord named Hollander (Lennie Loftin) has cut off the local water supply, destroying Evans' crops and making the land infertile. Hollander also oversaw the burning of Evans' barn; Evans had borrowed money, but was unable to repay. To make matters worse, Wade stole Evans' herd of cattle. Facing a lifetime of hardship and the disrespect of his wife and children, Evans joins a motley crew of townsfolk in their effort to capture Wade: the rich Grayson Butterfield (Dallas Roberts); the cantankerous Byron McElroy (Peter Fonda); and Doc Potter (Alan Tudyk), the local veterinarian (who occasionally sees human patients). In return for having him arrested and sent to Yuma Prison, Evans will be paid handsomely. But catching Wade will prove to be no easy task; by the time he is caught, more than a few lives are ruined.
Thus begins a physical and emotional journey, one of incredible insight. Wade is now bound by handcuffs and ready to be transported to Yuma. Once there, he'll board a prison train at 3:10 in the afternoon. As one might expect, almost nothing goes according to plan, and the characters are thrust into life or death situations. This is especially true in terms of Wade's posse, which has been following Evans' group relentlessly. In the midst of all character interactions, the greatest dynamic exists between Evans and Wade. At first glance, they seem like complete opposites; one lives a life of honesty while the other lives a life of crime. Nonetheless, both men are deeply flawed, with emotional baggage they have yet to rid themselves of. They have more in common than either would care to believe.
This isn't to say that being on common ground has brought them closer together. If anything, they push each other's buttons, especially when it comes to matters of faith: Wade--a lowly, deceitful man--is a pious Christian, and he always seems ready to quote a passage or two from the Bible; Evans--a good, honest man--is struggling with his faith, feeling as if God has ignored him for quite some time. Both men hide secret pain, all of which is slowly revealed as the film progresses. There's something about their line of communication that I found incredibly revealing, especially when the worst is brought to the surface. Example: Wade rouses Evans by questioning his treatment of his wife. "You say one more word," Evans shouts as he grabs hold of Wade, "and I'll cut you down right here." "I like this side of you, Dan," is Wade's reply. Here's a conversation that speaks volumes with so few words. It was highly effective.
An intriguing subplot involves Evans' son, William (Logan Lerman), a headstrong fourteen-year-old who feels he has something to prove. While specifically told to stay home with his mother and brother, William runs off to join his father, hoping to be of use. But more importantly, he seems genuinely curious about Wade: Is there, in fact, something to be gained by knowing who Ben Wade really is? Is this killer really as cold-blooded as he lets on? It's difficult to know for sure, especially since he and Evans form alliances just as quickly as they break them. What they share can't be considered a friendship. But on the same token, they are able to acknowledge each other's existence, and not always with hostility. Surely something can be said for that.
By the time the characters reach Yuma and engage in a climactic shootout, any sense of black and white reasoning has been lost. "3:10 to Yuma" exists in that massive gray area between the two, preventing the audience from pigeonholing the characters into definite types. This is without a doubt the film's greatest strength, acting as an appropriate counterpart to the ending. While the final moments require a little extra thought on our part, it still plays out beautifully, about as smooth and efficient as a well-oiled machine. For all the clichés that could have bogged it down, "3:10 to Yuma" is a Western that doesn't let itself get carried away. This is not a shallow Tough Guy movie; it's a wonderfully executed character study. Here's one train that you should definitely catch.