2001 - A Space Odyssey (Two-Disc Special Edition)

2001 - A Space Odyssey (Two-Disc Special Edition)
by Stanley Kubrick

2001 - A Space Odyssey (Two-Disc Special Edition)
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DVD Cover Information

Actor: Alan Gifford, Daniel Richter, Gary Lockwood, Keir Dullea, William Sylvester
Director: Stanley Kubrick
Brand: Warner Brothers
Cinematographer: John Alcott
Cinematographer: Geoffrey Unsworth
Composer: Gy?rgy Ligeti
DVD: Region Code 1
Audio: English (Original Language); Russian (Original Language); English (Subtitled); Spanish (Subtitled); French (Subtitled); French (Dubbed)
Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD-Video, NTSC, Original recording remastered, Special Edition, Subtitled, Widescreen
Picture Format: 2.20:1
Running Time: 141 minutes
DVD Release Date: 2007-10-23
Audience Rating: G (General Audience)
Studio: Warner Home Video

Movie Reviews of 2001 - A Space Odyssey (Two-Disc Special Edition)

Movie Review: A Vision Lost
Summary: 5 Stars

I saw this movie in the theater 2 days after it premiered. At my then young age I was completely awe struck. For me, this motion picture still inspires awe even today. Though the promise of space has become dimmer in recent times "2001 - A Space Odyssey" brings to life what could be. If only we can redirect our vision towards the cosmos.

Summary of 2001 - A Space Odyssey (Two-Disc Special Edition)

A space mission that could reveal man?s destiny is jeopardized by a malfunctioning shipboard computer. A dazzling journey that tops them all ? and showed the way for other effects-packed films that followed.
When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon
When Stanley Kubrick recruited Arthur C. Clarke to collaborate on "the proverbial intelligent science fiction film," it's a safe bet neither the maverick auteur nor the great science fiction writer knew they would virtually redefine the parameters of the cinema experience. A daring experiment in unconventional narrative inspired by Clarke's short story "The Sentinel," 2001 is a visual tone poem (barely 40 minutes of dialogue in a 139-minute film) that charts a phenomenal history of human evolution. From the dawn-of-man discovery of crude but deadly tools in the film's opening sequence to the journey of the spaceship Discovery and metaphysical birth of the "star child" at film's end, Kubrick's vision is meticulous and precise. In keeping with the director's underlying theme of dehumanization by technology, the notorious, seemingly omniscient computer HAL 9000 has more warmth and personality than the human astronauts it supposedly is serving. (The director also leaves the meaning of the black, rectangular alien monoliths open for discussion.) This theme, in part, is what makes 2001 a film like no other, though dated now that its postmillennial space exploration has proven optimistic compared to reality. Still, the film is timelessly provocative in its pioneering exploration of inner- and outer-space consciousness. With spectacular, painstakingly authentic special effects that have stood the test of time, Kubrick's film is nothing less than a cinematic milestone--puzzling, provocative, and perfect. --Jeff Shannon

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