1941 (Collector's Edition)
by Steven Spielberg
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DVD Cover Information
Actor: Dan Aykroyd, John Belushi, Nancy Allen, Tim Matheson, Treat WilliamsDirector: Steven Spielberg
Brand: Universal
Producer: Buzz Feitshans
Producer: Janet Healy
Producer: John Milius
Writer: John Milius
Producer: Michael Kahn
Writer: Bob Gale
Writer: Robert Zemeckis
DVD: Region Code 1
Audio: Norwegian (Unknown); French (Subtitled); Spanish (Subtitled); English (Original Language), Dolby Digital 5.1
Format: Closed-captioned, Color, Dolby, DVD, Letterboxed, NTSC, Special Edition, Widescreen
Picture Format: 2.35:1
Running Time: 118 minutes
Published: 1999-03-01
DVD Release Date: 1999-03-23
Audience Rating: PG (Parental Guidance Suggested)
Studio: Universal Studios
Movie Reviews of 1941 (Collector's Edition)
Movie Review: I don't get people not liking this
Summary: 5 Stars
All I can say is, this is an incredibly well-made movie. Well, not ALL, but this still is very well-made. I watched this again last night, and fortunately, I got the expanded version this time. I bought the original release on tape a long time ago, and good as it is, it's still missing something. The "Collector's Edition" is the full-length release. Yes, it's a very long movie, but it's such an epic of excess, being almost two and a half hours long only adds to the nature of it.
I tend to stay away from All-Star extravaganzas, as the idea of brimming over with celebrities only seems to be a selling point, helpful in ticket and rental sales when the film itself really isn't that good in the first place. Not the case here.
Where to start? Speilberg parodies himself in the first scene by lampooning "Jaws," the girl here accidentally finding a Japanese submarine, instead of a shark. And the roller coaster ride just picks up momentum from there.
It's funny, how in December of 1941, the whole country was worried about Japan and Germany invading the United States, and 60 years later, the country was again on High Alert, this time radical Muslim terrorists are the subject of worry. But judging from what I have heard and read about those days, it would seem the general mood portrayed in the film was accurate. And sadly, people don't seem to be like this anymore. There was, despite infighting, unity against a very dangerous, real enemy. And anymore, the enemy seems to be applauded. Just an opinion. This isn't meant to be a political rant, I just get very angry when I think about Pearl Harbor, the World Trade Center, and where the world has been going lately.
One thing in this movie that jumps out at you, is the over-the-top nature of the whole thing. A stand-out is the choreography in the USO dance contest scene. It has to be seen to be believed. To the person who hasn't seen it: A young man named Wally is involved with a very beautiful girl named Betty Douglas, against her father's wishes. He has been preparing for an upcoming dance contest, but the rules have changed. No civilians this time. The girls are only allowed to dance with soldiers, sailors, airmen, and marines. Wally refuses to put on a uniform, hence he's a civilian, but still manages to gain admission. A soldier, nicknamed "Stretch," complete bully and very boorish in his demeanor, decides Betty is the girl for him. So when Betty throws him over for Wally at the dance contest, a humiliated Stretch decides to exact a pound-of-flesh retaliation. A fight ensues, and the damage to the club, and ultimately Hollywood Boulevard, is simply jaw-dropping. But watching Stretch chase Wally all over the dance floor, is one of the best sequences you will see anywhere. Among the dancing is a violent confrontation, a disaster waiting to happen.
There are many sub-plots in 1941, and detractors say it's too many elements pulling it too many ways at once. I don't agree. True, there is an awful lot going on, and it can overwhelm one, but look at the scenario in the story. Southern California is in a state of High Alert, the whole country was trying to recover from the Pearl Harbor attack, Hitler was still in power, and everyone was simply galvanized with emotion. How the film makers still managed to make a movie with such a premise contain humor, is an achievement. It contains comedy, action, a dance scene, romance, violence, and family life. It is a vey mixed bag, but some things go so far before you realize it's intentional; it's supposed to overwhelm you.
And, this is a very politically incorrect film. The language itself, probably wouldn't fly today. Calling Japanese people "Japs," "Slant-eyes," and "Yellow," were standard fare at that time. Here we have Japs, Krauts, you name it. I don't celebrate racism, far from it, but even more, I decry political correctness. This film is to be seen as a time piece, and this is how people talked, acted, and thought at the time.
To whit, I say, if you haven't seen this movie, it would be worth your time to watch it, but be warned; this edition, the superior one, is almost two-and-a-half hours long. If you have, and like it, I'm preaching to the choir. If you don't like it, that's your opinion, we all have our tastes, but I really don't know how someone could not like it.
Summary of 1941 (Collector's Edition)
Contains: restored footage not included in original theatrical release and original documentary on the making of 1941 steven spielbergs home movies and behind-the-scenes footage theatrical trailers outtakes and storyboards and production notes. Studio: Uni Dist Corp. (mca) Release Date: 08/01/2006 Starring: Dan Aykroyd John Belushi Run time: 148 minutes Rating: NrWatching this director's cut, it's finally possible to see why the studio made Spielberg mercilessly hack up this comedy: it's a screaming movie (everyone screams a lot), and screaming movies do not need character development. So all those character-development scenes hit the cutting-room floor and, surprise, they were all critical to Spielberg's pace for the humor in this film. The screaming wasn't that funny then--and it still isn't--but what is funny are the reinserted development scenes, showcasing the now-evident sense of hysteria in the Los Angeles community, post-Pearl Harbor. A bunch of certified nitwits, and a few certified lunatics, act as if Tojo Hideki's entire Imperial force is just off the mainland. Actually, one Japanese submarine is, and it helps fuel the frenzy. John Belushi is Wild Bill Kelso, an insane fighter pilot, and Dan Aykroyd plays a conciliatory tank commander. Robert Stack's performance as General Stilwell, one of the best of the film, finally makes sense. Also fun for the numerous cameos, Spielberg's inside jokes, and John Williams's great score. --Keith Simanton
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